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Watch Power Online for Free. Watchepisodeseries is the best site for Power Episodes Streaming. Tamasha (English: A spectacle) is a 2015 Indian romantic drama film written and directed by Imtiaz Ali and produced by Sajid Nadiadwala under his banner, Nadiadwala. Watch Bones Online for Free. Watchepisodes4.com is the best site for Bones Online Streaming.

Tamasha (film) - Wikipedia. Tamasha (English: A spectacle. It features Ranbir Kapoor and Deepika Padukone in lead roles.

The film score and soundtrack album were composed by A. Rahman, while lyrics for the songs were written by Irshad Kamil.

Filmed briefly in Corsica, Indian cities–Shimla, Delhi, Gurgaon, Kolkata; followed by two- day schedule in Tokyo, the film tells the story of character Ved Vardhan Sahni (played by Kapoor) in three stages–as a nine- year- old child, a 1. The film was released on 2. November 2. 01. 5 to mixed reviews by film critics.

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Despite grossing over . They come up with an amusing verbal pact to keep their real identities undisclosed. They explore the island together. They pretend to be .

When she realizes she is falling in love with Ved, Tara decides to leave Corsica despite the romantic friendship with him. The story flashes back to young Ved who questions the story- teller about the reason for happy times ending quickly and notices each story has a sad episode in it. Tara returns to Kolkata, India. Tara's father (played by Nikhil Bhagat) hands over his tea business to Tara, she expands it by starting a line of tea boutiques, taking the company ahead. One day, Tara surprisingly meets Ved, who is now a product manager. They reveal their original identities.

They plan for a date at a Japanese restaurant. She expects him to talk like the days in Corsica but Ved talks about business. She calls Ved up home to be intimate. Ved leaves for his home and next morning Ved wakes up on time, completes the morning chores, wipes the car, ignores the transgender on the way, lets a female colleague into the lift—all this happens on his way to the office. He fixes a plan for meeting Tara again in the evening. Each morning to evening, similar incidents repeat monotonously.

On Ved's birthday, he proposes to Tara but she is unhappy with the real- life Ved. She declines the proposal. Ved leaves for his home by an auto- rickshaw.

The driver (played by Ishteyak Khan) narrates how his dreams of becoming a singer were crushed. Ved breaks down and his residual mental disorder is triggered. Ved begs Tara to come back to his life. She indirectly informs him she is fixated in Ved's divergent personality from Corsica, not the matured Ved who lives by societal conventions. Later Tara expresses her realization of hurting him and apologizes.

Frustrated Ved leaves. Next day, Ved continues his office routine with a change, gives a diamond ring to the transgender and he gets evicted from his workplace for his continuous mindless behaviors. Ved comes back to Shimla and reveals he was jobless and wandering for six months. After a tussle with his father, Ved gains introspection from a reflection in the mirror, he realizes that to complete his own story, he needs to meet the old story- teller.

The old story- teller criticizes Ved's irrationality, and confronts him to complete his own story. This opens Ved's eyes.

Ved narrates his life story to his family members. Moved by this, his father forgives him for leaving engineering and lets Ved pursue his life as he wishes. Ved returns to Delhi and takes the diamond ring returned to him by the affectionate transgender.

Tara, after finishing a business meeting at Oracle in Tokyo, heads for refreshment where she finds a note titled . Perplexed about Ved's presence, she moves around the office campus and Ved draws her attention with the . The film goes into a flashback and shows scenes from Shimla of a free spirited- young Ved, a college going Ved and an adult Ved. The film returns to present day (first scene of the film) where Ved and Tara complete the process of putting up an elaborated skit on stage (in continuation of the opening scene of the film) a spectacle which depicts of their own life story. Production. Sometimes in trying to belong, you lose your edge, you become blunt and you forget who you are unless someone comes to remind you, someone who has seen you at that time. It's not that simple because it takes the undoing of entire life's experience to get in touch with yourself and your wild energy. What life awaits me there?

According to him, the window seat gives one a chance to drop their present life story and become a brand new person. He is free flowing and your type and then you lose touch. Years later when you meet, he is absolutely somebody else. Kapoor plays a free spirited person who wants everybody around him to be happy. He plays a nomad, going out of his way to please people. His character bears loose resemblance to that of Edward Bloom in the 2. American fantasydrama film.

Big Fish. They were not auditioned but directly chosen to play their characters. We've borrowed the title of . Kapoor took classes from mime artists to mimic the requisite dialogues. There is a certain air about him that only Javed sahib can pull off. They called the hues as an 'extension of emotions' quoting, . It's a wine tie he wears to work the next day, when his true self breaks out expressively. The yellow glasses are worn again by him in Japan when he meets Tara.

The tee- shirt with a tracksuit jacket under a blazer and flat front trousers were given by Narula from her personal wardrobe. On the contrary, Ved wears shades of grey and keeps a goatee. For the scenes filmed in Shimla, Narula designed 9. Kapoor's character. The accessories covered were a mix of bracelets of different materials with a watch, with the introduction of slim pinky rings. Padukone filmed mostly without make- up for most of the movie wearing only a lip stick on holiday (scenes in Corsica) and looking made- up only in the scenes she's in office or on dates with the character Ved.

Mythological characters Sita in the film has a heart tattoo on her arm and so Ram and Lakshman wear uniforms and thermals. Vivek Mushran's character wears a douch- ey neck scarf and over- dyed hair to portray virility. For the rickshaw driver (seen in the song . Kapoor was observed sporting a countryside look. In another scene he had donned as a graduating student from Jaypee University of Information Technology. Three days later to the date, Kapoor was being filmed at Ridge road and Hill town. Majority of the scenes were shot at Bishop Cotton School.

The next filming schedule began in Tokyo on 8 April 2. Rahman with song lyrics by Irshad Kamil.

After January 2. 01. Kapoor had Roy, Bombay Velvet and Jagga Jasoos lined up for release. In order to avoid back to back releases with less time gap between his films, he decided to postpone Tamasha to 2. Scenes with bawdy dialogue references and comments addressing Padukone's character. There are inhibitions that keep you from falling head- over- heels in love with the film the first time you watch it. Once done away with the initial hesitation, Tamasha is an experience. All said and done, the clear winners in this 'drama' are the protagonists, more than the story itself.

It is tonally messier than his last film, Highway, but more emotionally satisfying than Rockstar and brings together elements from many of his films in a pleasing- enough manner. He criticized the script but praised the performances of Kapoor and Padukone. He gave the film 2. It could have been so much more. Ranbir Kapoor and Deepika Padukone deliver fine performances. Even though Ranbir gets more space, Tara is drawn with welcome depth.

Jha for Firstpost stated, . But the journey is fascinating and admirable, though not entirely fulfilling.

The writing also gets lazy — Imtiaz settles for stereotypes and simplistic resolutions. In his review, he mentioned, .

It's not a perfect film, but it's consistently a bit better than expected. British Board of Film Classification. November 2. 01. 5. Download The New LBJ (2017) Movie here. Retrieved 2. 0 November 2. Indian Box Office (IBO). November 2. 01. 5.

Retrieved 2. 7 December 2. The Indian Express. Mumbai: Indo- Asian News Service. Retrieved 2. 01. 5- 1. International Business Times, India Edition. Retrieved 2. 01. 6- 0. The Telegraph. Retrieved 2.

January 2. 01. 5. Retrieved 2. 01. 6- 0. Deccan Chronicle.

December 2. 01. 4. Retrieved 8 December 2. Retrieved 2. 01. 5- 1.