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Copenhagen (play) - Wikipedia. Copenhagen. 19. 98 Premiere season programme. Written by. Michael Frayn. Characters. Niels Bohr. Margrethe Bohr. Werner Heisenberg. Date premiered. 19. Place premiered. London, England.

Original language. English. Subject. Physics, Politics, WWII, Memory, Perspective. Genre. Historical Drama.

Copenhagen is a play by Michael Frayn, based on an event that occurred in Copenhagen in 1. Niels Bohr and Werner Heisenberg. It premiered in London in 1.

National Theatre, running for more than 3. David Burke (Niels Bohr), Sara Kestelman (Margrethe Bohr), and Matthew Marsh (Werner Heisenberg). It opened on Broadway at the Royale Theatre on 1. April 2. 00. 0 and ran for 3. Directed by Michael Blakemore, it starred Philip Bosco (Niels Bohr), Michael Cumpsty (Werner Heisenberg), and Blair Brown (Margrethe Bohr). It won the Tony Award for Best Play, Best Featured Actress in a Play, Blair Brown, and Best Direction of a Play (Michael Blakemore). In 2. 00. 2, the play was adapted as a film by Howard Davies, produced by the BBC and presented on the Public Broadcasting Service (PBS) in the United States.

Summary. Time and time again I’ve explained it. To Bohr himself, and Margrethe. To interrogators and intelligence officers, to journalists and historians. The more I've explained, the deeper the uncertainty has become. Well, I shall be happy to make one more attempt. Watch Moana (2016) Free. They discuss the idea of nuclear power and its control, the rationale behind building or not building an atomic bomb, the uncertainty of the past and the inevitability of the future as embodiments of themselves acting as particles drifting through the atom that is Copenhagen. Characters. Michael Frayn works to keep this distinction as small as possible.

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Having studied memoirs and letters and other historical records of the two physicists, Frayn feels confident in claiming that . There is a great amount known about all of the primary characters presented in Copenhagen; the following includes those bits of information which are directly relevant and referenced in the work itself. The son of a university professor, Heisenberg grew up in an environment with an intense emphasis on academics, but was exposed to the destruction that World War I dealt to Germany at a rather young age. He married Elisabeth Schumacher, also the child of a professor, and they had seven children. He received his doctorate in 1. Arnold Sommerfeld, and went to Copenhagen to study quantum mechanics with Niels Bohr in 1. Bohr's assistant, H.

In 1. 92. 6, The University of Leipzig offered him the opportunity to become Germany's youngest full professor. Heisenberg is best known for his . During the Second World War, Heisenberg worked for Germany, researching atomic technology and heading their nuclear reactor program. After the war, his involvement with the Nazis earned him certain notoriety in the world of physicists, mainly due to the fact that he could have given Hitler the means to produce and use nuclear arms. He continued his research until his death in 1.

Munich. Niels Bohr was born in 1. Heisenberg first came to work with him. He married Margrethe Norlund in 1. Copenhagen and together they had six sons, two of whom died. Harry Lustig notes his biographies that . During the war, however, Bohr was living in occupied Denmark and somewhat restricted in his research; he escaped to Sweden in 1. SS sweep which would have incriminated him through his Jewish heritage.

In America, he worked in Los Alamos on the atomic bomb until the end of the war. He died in 1. 96.

Margrethe. Margrethe Bohr, known later in her life as Dronning or . She was closely involved in her husband's work; he would commonly bounce ideas off of her, trying to explain them in . Her son Hans wrote, . Father knew how much mother meant to him and never missed an opportunity to show his gratitude and love.. Her opinions were his guidelines in daily affairs. David Rush explores a subgenre of theatre, a later hybrid form known as .

It is most nearly a . Sometimes one character will not notice that there are other people in the space, and speak as if to no one.

The world that Frayn presents is outside of our conceptions as audience members, simply by virtue of the fact that no one attending the play has ever died. So the world in which Copenhagen is based is somewhere between heaven and an atom. It can also be thought to exist . It is a subjective world, taking and manipulating history, picking apart some events and mashing others together to better compare them. The characters are all plagued by some form of guilt or another, particularly in reference to the atomic bomb, and they are trapped in this world, doomed to forever speculate on that evening in Copenhagen in 1.

These are all traits of the artistic style known as Expressionism. In his preface to A Dream Play, August Strindberg notes that in these worlds, . Time and space do not exist. Working with.. This principle is applied to nuclear weaponry, suggesting that nations will act differently when they think that an opponent can produce nuclear arms, whether or not the opponent can. Weapon theme and once again presents anecdotes of Bohr and Heisenberg's lives. Their fascination in playing with the new toy blinds them to the danger that it poses.

The phrase . Bohr had concluded that they would have both drowned had he jumped in to save his son, and this presents an idea of futile heroics, particularly with reference to Heisenberg and what should happen if he were to resist Hitler's rule. One character's line might fade into the next, as though the second person knew exactly what he was going to say; sometimes a character will slip into a memory and partially relive a former or younger self in a monologue; and over the course of the show, there is a definite ambiguity as to whether they are speaking to one another or to the audience. The play was originally written in English, but the real people in the exchange may have had this conversation in Danish or German. But even with translation in mind, Frayn defends that the words in the script are those that the characters would actually say.

In his post- script, he writes, . There are several instances when the two physicists start speaking too scientifically for many people to understand, and one of them will remark that they must revert to plain language, to explain it in a way that Margrethe will understand. Even for this effort though, criticism arose about the complexity of the play and the difficulty for viewers to comprehend.

A writer for The Commonweal commented on the Broadway premiere, saying that . It was directed by Michael Blakemore.

The second cast consisted of David Baron as Niels Bohr, Corinna Marlowe as Margarethe Bohr, and William Brand as Werner Heisenberg, and after six months, they replaced the original cast for the rest of the West End run. Broadway Opening – April 2. Continuing under the direction of Michael Blakemore, it opened on Broadway at the Royale Theatre on 1. April and ran for 3. Starring Philip Bosco as Bohr, Michael Cumpsty as Heisenberg and Blair Brown as Margrethe, it went on to win the Tony Award for Best Play, along with two others for Best Featured Actress in a Play (Blair Brown), and Best Direction of a Play (Michael Blakemore). But even for its success, Frayn admitted in an article that . Though a writer from Physics World hailed it as “brilliant theatre ,” a Charles Spencer, of the Daily Telegraph, wrote, .

The movie substantially cuts down the script of the play, eliminating several recurring themes, and most of the material that established the community of scientists in Copenhagen. It also abandons the abstract staging of the theatrical version in favour of being set in the city of Copenhagen, in Bohr's old house. Recent revivals. The play has been revived at: Royal Lyceum Theatre in Edinburgh, with Tom Mannion as Niels Bohr, Sally Edwards as Margrethe Bohr, and Owen Oakeshott as Werner Heisenberg. It was directed by Tony Cownie.