Download Whole Novitiate (2017) Movie

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A recap of Sundance 2017 that focuses on five films not getting as much buzz as they deserve. The Sundance Film Festival brings the most original storytellers together with the most adventurous audiences for its annual program of dramatic and documentary films. Inception/ Curiosità sul film con Leonardo Di Caprio e Marion Cotillard su Italia 1 (oggi, 5 settembre 2017)Inception e il mondo dei sogni: Christopher. Reviews from Sundance on three ambitious films based on original screenplays, "Novitiate," "Colossal" and "Bitch.".

Download Whole Novitiate (2017) Movie Reviews

Deux jours, une nuit (2. Edit. Storyline. Sandra Bya, married with two children, has been off work from her job at Solwal on medical leave for depression. During her absence from work, her boss, M. Dumont, on the suggestion of her immediate supervisor, the shop foreman Jean- Marc, figures that her section of the company can function with sixteen people working full time with a bit of overtime instead of seventeen with no overtime, that seventeenth person being Sandra. Because of the global competition the company faces, Dumont decides the company can only finance the annual bonuses for those sixteen employees, which are EUR1,0. Sandra's job, leaving the decision to those sixteen.

On a Friday near the end of her medical leave, Sandra learns of this situation from her friend and co- worker Juliette after the . Because Juliette knows Jean- Marc, who is determined to get rid of Sandra, influenced the vote by scare mongering ..

Sundance Film Festival . However, you may not submit your film directly to any one specific program. Instead, you must select from one of eight submission categories, listed below. For more information about our Festival programs and eligibility requirements, please be sure to read our FAQ document. U. S. NARRATIVE FEATURE FILMS: Any narrative work of fiction of U. S. In order to qualify as a U. Watch The Big Sick (2017).

S. Narrative Feature Film, the submitted project must be either scripted or improvisational fiction, and at least half of the project's financing must originate from within the United States. Only films that are World Premieres are eligible for our U. S. Dramatic Competition program, but U.

S. Narrative Feature Films that have previously screened at up to two other festivals anywhere in the world are still eligible for our out- of- competition programs. Narrative Feature Films that have been or will be exhibited publicly at one or more non- festival screenings, broadcast or streamed on television or the Internet, or released via any home video or other public distribution platform (Blu- ray, DVD, streaming, VOD, etc.) before January 2. Institute’s Festival programs.

U. S. DOCUMENTARY FEATURE FILMS: Any non- fiction film of U. S. If your documentary contains some dramatization of actual events, you may submit to this category, but we will ultimately decide which program is best suited for your project, if accepted.

In order to qualify as a U. S. Documentary Feature Film, at least half of the submitted project's financing must originate from within the United States. Only films that are World Premieres are eligible for our U. S. Documentary Competition program, but U. S. Documentary Feature Films that have previously screened at up to two other festivals anywhere in the world are still eligible for our out- of- competition programs. Documentary Feature Films that have been or will be exhibited publicly at one or more non- festival screenings, broadcast or streamed on television or the Internet, or released via any home video or other public distribution platform (Blu- ray, DVD, streaming, VOD, etc.) before January 2.

Institute’s Festival programs. INTERNATIONAL NARRATIVE FEATURE FILMS: Any narrative work of fiction of international origin with a running time of 5. In order to qualify as an International Narrative Feature Film, the submitted project must be either scripted or improvisational fiction, and more than half of the project's financing must originate from outside of the United States. International Narrative Feature Films that have previously screened at any festival outside of the film’s country or countries of origin are not eligible for open submission to the Institute for Festival consideration. International Narrative Feature Films that have been or will be exhibited publicly at one or more non- festival screenings, broadcast or streamed on television or the Internet, or released via any home video or other public distribution platform (Blu- ray, DVD, streaming, VOD, etc.) before January 2.

Institute’s Festival programs. INTERNATIONAL DOCUMENTARY FEATURE FILMS: Any non- fiction film of international origin with a running time of 5. If your documentary contains some dramatization of actual events, you may submit to this category, but we will ultimately decide which program is best suited for your project, if accepted. In order to qualify as an International Documentary Feature Film, more than half of the project's financing must originate from outside of the United States. International Documentary Feature Films that have previously screened at any festival outside of the film’s country or countries of origin are not eligible for open submission to the Institute for Festival consideration. International Documentary Feature Films that have been or will be exhibited publicly at one or more non- festival screenings, broadcast or streamed on television or the Internet, or released via any home video or other public distribution platform (Blu- ray, DVD, streaming, VOD, etc.) before January 2.

Institute’s Festival programs. U. S. SHORT FILMS: Any narrative fiction or documentary film of U.

S. In order to qualify as a U. S. Short Film, at least half of the submitted project's financing must originate from within the United States.

Short Films have no premiere requirements or prior screening restrictions to retain eligibility. Short Films may have been screened at any number of festivals or other public theatrical exhibitions anywhere in the world, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform. INTERNATIONAL SHORT FILMS: Any narrative fiction or documentary film of international origin with a running time of less than 5. In order to qualify as an International Short Film, at least half of the submitted project's financing must originate from outside of the United States.

Short Films have no premiere requirements or prior screening restrictions to retain eligibility. Download Streaming Divx Movies I Saw The Light (2016) there. International Short Films may have been screened at any number of festivals or other public theatrical exhibitions anywhere in the world, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform. EPISODIC CONTENT: Projects submitted in this category may be documentary series or fictional series of any genre, whether scripted or improvised. Applicants may submit single or multiple episodes of the same project, provided that the total running time does not exceed 1. Multiple episodes should be uploaded as one continuous video file or submitted on a single disc. We accept both short- form and long- form content, but individual episodes may not exceed 6. Open submissions in this category are not eligible for the Festival if the submitted content has been made available to the general public via any platform (broadcast television, Blu- ray, DVD, streaming, VOD, etc.) prior to January 2.

Projects originating from outside of the United States are still eligible provided that the content has only been released within their country of origin. If the submitted content is a continuation of an existing series that has previously been made available to the public, only new episodes are eligible for open submission to the Festival. VIRTUAL REALITY PROJECTS: Submissions in this category are eligible to be selected for the Festival’s New Frontier VR Showcase. We encourage the diverse creative community of storytellers and technologists to submit inventive, independently produced works of fiction, documentary, and interactive projects for consideration. Projects must be viewable via one of our accepted VR platforms (3. We request that you provide a link to a 3. Additionally, we request that you provide a 2.

D version or documentation of the project via Withoutabox’s Secure Online Screener system. Virtual Reality Projects may have been previously made available, either for free or for purchase, via any existing distribution platform or exhibited at other festivals, industry trade shows, and/or conventions and still retain their eligibility for open submission to the Festival.